01 What the stone says

In 782 BC the Urartian king Argishti I ordered a fortress built on the hill of Arin-Berd, at the south-eastern edge of the valley. And he recorded the fact on a basalt slab, in cuneiform. The text is terse and administrative: it says that he built this mighty fortress and that he established its name, Erebuni.

That slab survives and is displayed in the museum at the foot of the hill. It is worth pausing on what that means: it is not a chronicle written centuries later, nor an oral tradition recorded afterwards. It is the contemporary document of the act, drafted by the person who ordered it, and it survived because it was cut into basalt.

Muro largo de mampostería con la parte baja de piedra volcánica roja y negra y la superior enlucida, cubierto por una estructura moderna de vigas de madera que proyecta sombras rayadas, con la llanura al fondo.
Un lienzo de muro excavado, con el zócalo original de piedra volcánica y la protección moderna de vigas encima. La sombra rayada la proyecta la cubierta.Alexkom000 / Wikimedia Commons / CC BY 4.0·CC BY 4.0

02 From the fortress's name to the city's

And here is the second detail, the one that closes the circle. The name the king gave his fortress, Erebuni, is the etymological origin of Yerevan. That is, the city is still called, after two thousand eight hundred years of phonetic wear, what the man who wrote that slab called it.

That is why the inscription's date is taken as the capital's founding date, and why Yerevan can say, document in hand, that it is more than 2,800 years old. It is a rare continuity: the name outlived the fortress, the kingdom that built it and the language it was written in.

The name outlived the fortress, the kingdom that built it and the language it was written in.

03 What remains up there

It is worth adjusting expectations before going up. What is on the summit is not a standing fortress: it is foundations, wall footings and the traces of excavated rooms, with some stretches restored and protected by modern roofing. It takes a long half hour and needs reading with the plan in hand.

Restos de muros bajos construidos con bloques de piedra volcánica roja, negra y clara, rodeados de hierba alta con flores blancas, amarillas y moradas, bajo un cielo azul con nubes finas.
Los zócalos de piedra volcánica entre la hierba de mayo. La piedra roja y negra es de la misma familia que la toba del centro.Alexkom000 / Wikimedia Commons / CC BY 4.0·CC BY 4.0

What does pay for itself is the position. From the top you understand why that hill was chosen: it commands the whole plain and you can see anything coming from a long way off. It is exactly the reasoning applied by the founders of half of Europe, with the difference that here it can be dated.

04 How to see it

Ladera árida y pedregosa de tonos ocres que sube hacia una meseta con restos de construcciones en la cima, con edificios de vivienda de la ciudad a la derecha y la llanura extendiéndose al fondo bajo un cielo brumoso.
La colina desde fuera: seca, sin un árbol y pegada al tejido urbano. Subir en verano a mediodía es una mala idea.Armen Manukov / Wikimedia Commons / CC BY-SA 4.0·CC BY-SA 4.0

The order I would follow is the reverse of the usual one: the museum first, to see the slab and understand what you are looking at, and then the climb to the site. The other way round, the foundations up there do not say much; with the inscription seen, the walk takes on meaning.

Two practical warnings. The hill is bare and exposed, without a tree: in July and August, with highs of 34 degrees, go first thing or last thing. And it is at the city's south-eastern edge, about twenty minutes by car from the centre, so it is not a stop you squeeze between two other things: it is an outing.

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Lucía Montes

Worth Knowing editor · Flowtravel

Lucía explains the details that change how you understand a place.