Destination

This city is another country's port.

Djibouti was founded in 1888 on an uninhabited stretch of coast, and not for what lay here but for what lay behind it: Ethiopia. The city was born as the sea end of a railway that took twenty years to reach Addis Ababa, and today around ninety per cent of Ethiopian foreign trade still moves across its quays. Seventy-three per cent of the country's population lives in it.

· 9 min read
The city seen from the air under a white light with no long shadows: low buildings of two to five storeys, almost all white, cream or beige, fill the frame from side to side without a single tower rising above them; in the foreground, a very wide paved esplanade with lawn beds and lines of young palms, and to its left a hall with a turquoise roof; a broad avenue cuts diagonally towards the back with cars and four-by-fours parked at an angle, and clumps of palms and acacias show between the blocks.
The city seen from the air under a white light with no long shadows: low buildings of two to five storeys, almost all white, cream or beige, fill the frame from side to side without a single tower rising above them; in the foreground, a very wide paved esplanade with lawn beds and lines of young palms, and to its left a hall with a turquoise roof; a broad avenue cuts diagonally towards the back with cars and four-by-fours parked at an angle, and clumps of palms and acacias show between the blocks.Skilla1st·CC BY-SA 4.0

01 A city founded for a railway

The detail matters because it explains the order of things. First the port was chosen; then the city was drawn; and only then did people arrive. In 1892 the administration moved here from Obock, and in 1897 work began on the railway meant to link this anchorage with the Ethiopian highlands. The first commercial service ran in 1901. The line did not reach Addis Ababa until 1917: twenty years of construction to justify a port.

That railway still exists, though it is not the same one. In 2017 a new line opened — electrified, standard gauge, 753 kilometres between Addis Ababa and the port: the first cross-border electrified railway in Africa. The machine changed, not the idea. The idea is a hundred and thirty-eight years old and remains the same: carrying to the sea what is produced by a country that has no sea.

A colour satellite image: a tongue of very dark blue water, almost black at its centre, enters from the right and narrows towards the left until it ends in a smaller elongated patch; on either side the land appears in ochre, olive and brown tones, its relief picked out by grooves and ridges; at the right-hand edge the sea lightens into patches of bright turquoise tracing shallows and islets, and in the lower left corner a compass rose is printed over the image.
The Gulf of Tadjoura from orbit. The city occupies the southern shore of the open end, on the right: the point where the sea reaches closest to the interior of the continent.NASA / Wikimedia Commons / public domain  · Public domain

02 Three quarters of the country

The demographic consequence is among the most extreme anywhere. The city holds around 777,000 people, and that is close to seventy-three per cent of the entire national population. There is no second city to compete: there is a capital, and there is countryside. Anyone who says "Djibouti" is almost always saying this city.

Ethiopia is a landlocked country of more than a hundred million people, and this city is its door to the sea. You notice it on the street before you notice it in any statistic: in the lorries climbing and descending the inland road, in the logistics vocabulary on the signage, in how much of the business here has nothing to do with tourism. A capital of under a million people that handles the freight of a hundred million is, inevitably, a strange scale.

It also explains why the visitor does not find the usual repertoire here. There is no old town predating the port, because before the port there was no town. There are no great inherited monuments, because there were no earlier centuries to build them. What there is is a hundred-and-thirty-eight-year-old working city, planted on a coral coast fourteen metres above sea level.

A street junction with pale, dusty tarmac: on the right, a row of green-and-white taxis parked at an angle beside a low white building with turquoise door and window frames; on the left, a block of one- and two-storey houses in pale pink, yellow and grey, with small shop signs and a green military lorry parked on the corner; between them an unplanted earth island, tall street lights, palms and date palms behind, and a sky bleached white by the heat.
Green-and-white taxis lined up at a junction in the centre. This is mostly how the city is covered: by car, along wide streets of pale tarmac.Clovis conchou / Wikimedia Commons / CC BY-SA 4.0  · CC BY-SA 4.0

03 The grid and the shade

A city drawn all at once reads all at once. The old core grew around three low plateaus with three separate functions — administrative, economic and residential — and the centre was laid out on a grid: long streets, regular blocks and a handful of large squares that organise the whole. The main one is Place du 27-Juin, which nearly everyone still calls Place Ménélik.

That is where the city's one recognisable architectural signature sits: the arcades. The two-storey buildings of the old centre carry their upper floor on continuous arcades, so the pavement runs under cover. In a place where July has a mean high of 42.1 °C, that is not a stylistic flourish but a piece of infrastructure. Shade here is a public utility.

A two-storey building of pale exposed stonework fills the right of the frame: the ground floor is a continuous arcade of round arches keeping the pavement under cover, and above it runs a white balustrade and a row of tall arched windows with louvred shutters painted blue-green; four large dense-crowned trees grow in front, casting shade over the roadway, with cars and a white four-by-four parked at the kerb, an orange hand cart and a yellow container; the tarmac in the foreground is empty and the sky is clear blue.
The arcades of the old centre. The pavement runs beneath the building and the tree is planted in front of it: two ways of manufacturing shade on the same street.Francisco Anzola / Wikimedia Commons / CC BY 3.0  · CC BY 3.0

The rest of the city is lower and more spread out, growing inland into numbered districts. From the air it has no skyline: almost nothing rises above five storeys, and the dominant colours are the dirty white of concrete and the beige of sand. This is not a city to be looked at from a distance. It is a city to be walked through, hunting for the shaded side of the street.

04 How to visit it

The first decision is when. Between June and August the city is a furnace, with mean highs of 39 to 42 degrees and lows that never drop below 30, and in those months the khamsin blows in off the desert, a dry dust-laden wind that cuts visibility. From December to February highs sit around 29 and lows around 22. The difference between the two halves of the year is not a matter of nuance: it is a matter of viability.

The second is understanding that the city is a base, not an end in itself. Two or three days cover the centre, the arcades, the market and the waterfront. What lies around it — the Gulf of Tadjoura opposite, Lake Assal a couple of hours away by road, the chimneys of Lake Abbé further out — is what justifies the scale of the trip, and all of it is organised from here.

The third is a matter of expectation. Djibouti is not built to charm on arrival. It is a functional city, hot, full of traffic and dust, with no tourist façade and no intention of acquiring one. That is exactly what makes it interesting: few capitals in the world show so plainly what they were made for. Here the reason is in plain sight, down on the quays, and it has not changed since 1888.

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Last updated · reviewed by the FlowTravel desk
MR

María Reyes

Destinations editor · Flowtravel

María looks in every city for the decision that explains its shape.

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