The name is Nan Madol, and it lies on Pohnpei's east coast beside the island of Temwen. UNESCO inscribed it as a World Heritage site in 2016, and it had been a national historic landmark since 1985.

A wall of large dark stone blocks stacked beside the shore, seen from the water between mangroves with aerial roots, with open sea beyond.
One of the complex's outer walls, with mangrove growing at its foot.Uhooep / CC BY-SA 4.0·CC BY-SA 4.0

01 Ninety-two platforms on the reef

The complex is made up of ninety-two artificial islets, built as platforms of stone and coral fill on the shallow reef. Between them runs a network of canals that served as streets.

The core covers a little over one and a half kilometres by half a kilometre, and the full archaeological district exceeds eighteen square kilometres. It is not an isolated building: it is an entire urban plan.

The usual comparison is with a canal city, and it works up to a point. The difference is that here the ground is artificial too: canals were not dug into land, land was piled up amid the water.

A canal of still water between two banks of dark stone blocks, with coconut palms, banana plants and dense vegetation growing right at the edge.
One of the canals between islets: the route by which you moved inside the complex.Uhooep / CC BY-SA 4.0·CC BY-SA 4.0

02 Where the stone came from

The main material is columnar basalt: hexagonal-sectioned columns formed naturally as lava cooled, which stack like logs. The walls of Nan Madol are built that way, with layers crossed at right angles.

Those columns did not come from there. They come from volcanic outcrops on the opposite side of the island, so they had to be quarried, moved and carried by sea to the reef.

That transport is the part still under discussion. The pieces are large and heavy, and there is no consensus on the exact method; the most accepted hypotheses involve rafts and use of the tide, but it is not settled.

A vertical detail of a wall built from horizontally stacked basalt columns, with smaller stones filling the gaps and pale lichen across the surface.
The wall bond: basalt columns stacked like logs, with smaller stone as fill.Jebrennan / CC BY-SA 4.0·CC BY-SA 4.0

03 A thousand years of building

Human occupation of the site goes back a long way, to around the start of the common era. Islet construction begins around the eighth and ninth centuries, and the megalithic architecture you see today rises from 1180-1200 onwards.

The complex worked as a ceremonial centre and as the residence of the island's elite, with a population probably under a thousand. It also had funerary functions.

By around 1628 it had been abandoned. Since then vegetation and mangrove have gradually taken over the platforms, and that is exactly what gives it its look today.

A stepped wall of stone blocks covered in moss and ferns, almost hidden among banana plants, lianas and the large leaves of a very closed forest.
Much of the complex is covered in vegetation: you reach the walls by pushing through.Uhooep / CC BY-SA 4.0·CC BY-SA 4.0

04 What you see today

What you visit is not a cleared, signposted ruin. It is a complex largely covered by rainforest and mangrove, with walls appearing between the leaves and canals navigable only depending on the tide.

That shapes the visit in practical terms: go with a local guide, wear footwear that copes with mud and coral, and check the tide before setting out. The most monumental part is best seen at high tide, from the water.

Access also crosses privately held land, so it is best to ask and to arrange it from Kolonia rather than simply turning up.

05 What it reveals

Nan Madol dismantles a widespread idea about the Pacific: that its islands were always small, scattered societies without the capacity for heavy construction. Moving thousands of tonnes of basalt by sea and arranging them into a plan of ninety-two platforms demands the opposite.

And it fits what you see across the rest of the island. Pohnpei is high, volcanic and very wet: it yields stone, water and timber. Nan Madol is what happens when a society organises those three materials over several centuries.

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Lucía Montes

Worth Knowing editor · Flowtravel

Lucía Montes chases the fact that changes how you look at a place, and follows it through.