Destination

The city was planted before it was finished.

Maputo was laid out in the late nineteenth century with a grid of wide avenues on the shore of a bay 95 kilometres long. And with the streets came acacias and jacarandas, in quantity enough for the city to end up known as 'the city of acacias'. The trees are not a later ornament: they are part of the plan.

· 9 min read
The city seen from the water, with the bay filling the lower half of the frame in a murky brown lightly rippled by wind; the sky, intense blue and cloudless, fills the upper half; between them, a compact horizontal band of city: on the left, low port sheds and a jetty with white, red and blue-hulled fishing boats moored; at the centre and right, a continuous front of ten- to fifteen-storey buildings with white and grey façades, with one slender taller tower rising above the rest, and the spire of a pale stone building at middle distance.
The city seen from the water, with the bay filling the lower half of the frame in a murky brown lightly rippled by wind; the sky, intense blue and cloudless, fills the upper half; between them, a compact horizontal band of city: on the left, low port sheds and a jetty with white, red and blue-hulled fishing boats moored; at the centre and right, a continuous front of ten- to fifteen-storey buildings with white and grey façades, with one slender taller tower rising above the rest, and the spire of a pale stone building at middle distance.Andrew Moir·CC BY 2.0

01 A bay ninety-five kilometres long

The settlement grew around a Portuguese fortress completed in 1787. For almost a century it was little more than a post: what turned the place into a city was the port, and what made the port matter was the railway that linked it to the interior of the continent.

The name also has two periods. The city was called Lourenço Marques, after a navigator who passed through in 1544, and changed to its present name in February 1976, taking it from the Maputo River. Today it has 1,088,449 inhabitants according to the 2017 census, and the metropolitan area reaches 2.7 million counting Matola.

A street scene at midday with very hard light and short shadows: in the foreground, a cracked concrete pavement and a chipped kerb beside an open drain; on the left stands a white two-storey building with green-framed windows and, beside it, a low masonry wall topped by a tall green railing closing an enclosure; at the back and to the right run long exposed-brick sheds with round arches and triangular gables, typical of a railway or industrial precinct; on the roadway there are yellow traffic lights, lamp standards and a large billboard; three or four people are walking, all distant and with their backs turned; the sky white with light.
A street in the lower town with the brick sheds of the railway precinct. The layout is wide and orthogonal, from the late nineteenth-century plan.Claus Wonnemann / Wikimedia Commons / CC BY-SA 4.0  · CC BY-SA 4.0

02 The grid and the Baixa

The centre is laid out on a grid, with wide avenues and regular blocks, in the Portuguese town-planning manner of the late nineteenth century. The historic part of that grid, beside the port, is known as the Baixa, and it preserves the original layout practically intact.

What is interesting about that grid is that it was drawn before there was a city to put inside it. It is not the result of regularising an existing fabric, as in so many capitals, but a plan drawn on free ground and filled in afterwards, decade by decade, with whatever arrived.

That explains the architectural mixture, one of the most varied on the continent within a few blocks. Early twentieth-century buildings — such as the central railway station of 1913-1916, beaux-arts in feel — coexist with mid-century modern blocks and recent towers, all on the same chequerboard.

03 Acacias and jacarandas

The feature that most defines Maputo's urban landscape is not a building but the street trees. The avenues were planted with acacias and jacarandas, in quantity enough for the city to earn two nicknames: 'the city of acacias' and 'the pearl of the Indian Ocean'.

It also works as a calendar. Jacarandas flower in violet and acacias in intense red, and those flowerings completely change the look of whole streets for a few weeks a year. It is a detail that does a good deal to decide the timing of the visit for anyone who travels looking.

A view of a wide, clear street under an intense blue sky: on the right stands a freestanding white gateway in neo-Gothic style, with a round arch flanked by two pilasters topped by conical pinnacles and a pierced cresting; beside and behind it grow broad-crowned trees, one of them in red flower; on the left, behind a clipped hedge and several fan palms, appears a three-storey building in blue-grey with continuous galleries, pierced iron balustrades and a red sheet-metal gable roof; at the centre, the asphalt roadway describes a gentle curve, edged by cylindrical concrete bollards; at the back, among the trees, the white spire of a tall structure can be made out.
Street trees and the gateway of a public garden in the centre. On the left, the blue-grey façade of the Casa de Ferro.Claus Wonnemann / Wikimedia Commons / CC BY-SA 4.0  · CC BY-SA 4.0

The other effect of the trees is thermal and very practical. In a city where the mean high exceeds 30 degrees from November to March, an avenue with continuous crowns and one without them are not walked the same way. Street shade is infrastructure, not gardening.

04 How it is covered

The centre is easily walkable: flat, orthogonal and compact. The useful way to cover it is to come down from the upper part towards the port following one of the tree-lined avenues, which is how you cross in one go the different built periods sitting on the same chequerboard.

A mid-twentieth-century office building photographed at an angle from the pavement, against a clean blue sky: the main façade is resolved as a four-storey lattice of white concrete, with a dense grid of vertical and horizontal fins projecting from the plane and casting sharp shadows, leaving the windows recessed in shade; the volume ends in a plain blind attic; at street level, a continuous deeply projecting canopy is clad on its underside with a geometric mosaic in vivid reds, oranges, yellows and greens; to the left appears a low building painted green and, to the right, a peeling party wall.
A mid-century concrete-lattice façade, its canopy clad in mosaic. The city has a great deal of this architecture.Jcornelius / Wikimedia Commons / CC BY-SA 4.0  · CC BY-SA 4.0

It is also worth going down to the waterfront. The bay is enormous and alive: cargo port, moored fishing boats and, on the far side, Inhaca Island closing the whole. From the water you understand why the city was placed on exactly this shore.

And a note on the calendar that surprises here: the best time of year is the austral winter. Between May and August, 15 to 32 millimetres fall per month and sunshine exceeds 245 hours, with highs of 26 to 28 degrees. In January, 171 millimetres fall.

Worth the read?
Rate this guide
No ratings yet
Last updated · reviewed by the FlowTravel desk
MR

María Reyes

Destinations editor · Flowtravel

María looks for the reason a place ended up where it is.

Image credits