Destination

The city sits inside an amphitheatre of mountains.

Port Louis occupies a crescent of flat ground between the sea and a wall of volcanic peaks. That shape is not landscape decoration: it is the reason the city exists. The mountains shelter the bay from the winds, and a sheltered bay in the middle of the Indian Ocean was worth, in the eighteenth century, more than anything else.

· 9 min read
A view of the city at dusk from a hillside, the sky still dark blue and the lights already on: on the left, the harbour basin cuts inland forming an arm of water that reflects the orange lights of the quays, with cylindrical silos, cranes and a berthed ship; at the centre the office district groups together, with a dozen lit glass towers; around it and towards the foreground stretches a very dense urban fabric of low flat-roofed buildings, dotted with yellow lights; on the right, a dark elongated patch of grass interrupts the housing; at the back, the coast recedes into gloom under a band of cloud.
A view of the city at dusk from a hillside, the sky still dark blue and the lights already on: on the left, the harbour basin cuts inland forming an arm of water that reflects the orange lights of the quays, with cylindrical silos, cranes and a berthed ship; at the centre the office district groups together, with a dozen lit glass towers; around it and towards the foreground stretches a very dense urban fabric of low flat-roofed buildings, dotted with yellow lights; on the right, a dark elongated patch of grass interrupts the housing; at the back, the coast recedes into gloom under a band of cloud.Peter Kuchar·CC BY-SA 3.0

01 A bay with a wall behind it

You understand it at once on arriving. The city occupies a narrow crescent of flat ground between the waterline and the first slope, and as soon as you move away from the harbour the ground starts to rise. The peaks closing the background — sharp, jagged in profile, vegetated to mid-height — are a few kilometres from the quay.

That ring of relief also explains something about the climate: the city lies in the lee of the southeast trades, which drop their moisture climbing the central plateau. Port Louis receives about 711 millimetres of rain a year, while the island's interior comfortably exceeds three thousand.

A view of the city from open ground on a rise, with intense blue sky filling the upper half of the frame and a few white clouds lined up above the summits: at the back, a continuous mountain range stretches from side to side with green slopes and rocky, sharply jagged crests, two pointed peaks standing out above the rest; at the foot of the range, the white housing of the city covers the valley and climbs the first rises; in the middle ground there are industrial sheds, lamp standards, parked cars and a red van; in the foreground, an expanse of dry yellowish grass fenced by a brown-painted wooden rail and some shrubs.
The Moka range closing the city from behind. The burnt-off grass in the foreground is that of the island's dry side.Z thomas / Wikimedia Commons / CC BY-SA 4.0  · CC BY-SA 4.0

02 From 1638 to 1736

Two dates organise the site's history. The first is 1638, when Dutch settlers established themselves on the island. The second, and the one that really counts for the city, is 1736: the year the French administration made it the island's administrative centre and began building it as such.

The criterion was purely nautical. On the route between Europe and Asia, an island with a deep sheltered bay halfway along solved the problem of provisioning and repair. The city was built to serve the port, not the other way round, and that hierarchy is still visible in the plan.

A very wide panorama of a harbour basin taken at water level from a quay: the sheet of water, grey and slightly choppy, fills the lower half of the frame and reflects the sky; on the left, port installations line up with gantry cranes, a row of eight white cylindrical silos and a berthed cargo ship; at the centre and right, gable-roofed industrial sheds and low brick buildings give way to a group of modern glass towers and to a red-roofed arcaded building beside the water; behind, the silhouettes of the mountains appear; the sky is covered by a dense mass of dark storm cloud with a few bright breaks; in the left foreground, the metal railing of the viewing point is visible.
The basin seen from the quay, with the mountains closing the background. This shelter is the city's reason for being.carrotmadman6 / Wikimedia Commons / CC BY 2.0  · CC BY 2.0

The port still works as one: it receives on the order of 2,200 vessel calls a year. And the city, with about 140,400 inhabitants in the municipality and more than 557,000 in the metropolitan area, is small in population for the weight it carries as the island's economic centre.

03 A city of three bands

Seen from above, Port Louis reads in three bands parallel to the coast. The first is the waterfront: quays, silos, cranes and, beside them, the redeveloped Caudan precinct, which is the newest and most visitable part. The second is the business centre, with a dozen glass towers forming the island's only vertical skyline.

The third is the real city: a very dense fabric of low flat-roofed buildings climbing towards the mountain, where the central market, Chinatown and the street trade are. The architecture mixes French colonial with concrete from recent decades, without a homogeneous ensemble.

And in the middle of that third band there is a void that catches the eye in any aerial view: a large oval of grass surrounded by houses. It is the Champ de Mars racecourse, and it has been there since 1812, occupying in the urban core a space that in any other city would have been built over a century ago.

04 How it is covered

The centre is walkable without difficulty: it is flat, compact and the three bands are crossed in a short walk. The most effective approach is to start at the waterfront, climb towards the market and finish at the edge of the racecourse, which is where the relationship between city and mountain becomes clear.

A view from a summit over a tropical mountain landscape: in the foreground, a rise covered in green grass and scrub descends towards the centre of the frame; at middle distance rises an elongated crest of dark rock with a toothed profile, its slopes carpeted in dense vegetation and a path visible as a pale line climbing the spine; to the left, a wide valley with green cultivated fields and rectangular plots, dotted with pale-roofed houses forming several scattered clusters; at the back, the coastal plain stretches to the sea, with the urban patch and a few tall buildings at middle distance and a line of bluish mountains on the horizon; the sky blue with flat-based white cumulus.
The green interior seen from one of the summits that close the city. The urban patch and the sea lie at the back.Luka Peternel / Wikimedia Commons / CC BY-SA 4.0  · CC BY-SA 4.0

It is worth climbing to one of the viewpoints on the rises around the centre. From above, the logic of the site reads at once: the bay pushed inland, the wall of peaks behind and the city squeezed into the band of flat ground left between the two.

And a note on the calendar: the rainy and cyclone season runs from December to April, with January and February the wettest months — 131 and 160 millimetres. From September to November, 17, 15 and 24 millimetres fall, with 240, 279 and 270 hours of sunshine. The difference between visiting at one moment or the other is considerable.

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Last updated · reviewed by the FlowTravel desk
MR

María Reyes

Destinations editor · Flowtravel

María looks for the reason a place ended up where it is.

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